Pellizzari’s change of life
Il padre degli orfani by Mario Soldati. 1950. The orphans’ father. French title : Le père des orphelins.
I’ve mentioned this before but I like to discover new writers through Folio’s 2€ collection. They publish short texts by writers in a 100 pages format. Either the book is composed of short stories or it’s a novella. For me, it’s an opportunity to read someone I’ve never tried without starting with a long book. I picked up Il padre degli orfani because its cover caught my eye. Mario Soldati (1906-1999) is an Italian writer and film maker. His most famous book is Le lettere a Capri, published in 1954. Il padre degli orfani is included in A cena col commendatore, a book composed of three stories (La giacca verde, Il padre degli orfani and La finestra)
We’re in Italy in the 1950s, not far from Milan. The narrator has received a letter relating that his friend Antonio Pellizzari, director of the Scala had quit his functions to start and run an orphanage in his villa in the countryside near Milan. The narrator has known Pellizzari for a long time and although they are friends, he judges him as rather cold, selfish and living a private but scandalous love life. He never married. The narrator wonders what prompted this abrupt change in his friend’s attitude and interests. He decides to go and see by himself. When he visits the orphanage, Pellizzari is rather happy to see him and show him the place. The boys are well-kept, Pellizzari is very committed to his new mission and he hired nuns and a priest to educate the children. He takes care of their schedule, outings, games…The narrator is impressed by Pellizzari’s work, his dedication to his cause but is still puzzled at the sudden change. Deep inside, he doesn’t believe that a man can change that much at that age.
Pellizzari explains with eyes full of tears how a poor and sick little boy on a train moved him so much that he decided to help him. When he eventually looked for him, it was too late, the boy was dead. If Pellizzari had come earlier, he could have purchased the medicine the boy needed and he would have been saved. The orphanage is a way to redemption. Still, the narrator remains sceptical. Just when he’s about to leave and grant his friend the benefit of the doubt, he notices his cufflinks on a side table. The narrator knows that these are his cufflinks as they are a family jewel that was stolen from him a couple of months before. It’s unlikely that his friend has the same cufflinks as him, which means they are his. When he asks his friend where he got them, Pellezzari obviously lies. The narrator confronts him and eventually drops the subject but he’s intrigued and this outright lie confirms that he shouldn’t trust his friend’s good intentions.
The novella focuses on Pellizzari, the narrator and the cufflinks. Who is Pellizzari? Is he genuinely interested in these children? Is his interest selfless? When the narrator describes him in all the years he’s known him, he seems like an arrogant man, not the devoted Christian he is in his orphanage. Has he really changed or has he just switched from one role to another? His lie about the cufflinks ties him to his past and tips the narrator off: Pellizzari is not to be trusted.
It’s an interesting questioning about who we are, who we are in the eyes of others and who we’d like to be. Aren’t we all playing roles from time to time? Pellizzari caught himself in his game. He’s always reinventing himself and for now, he’s set on being a Good Samaritan. The narrator would like to unmask him but is it worth it? Isn’t he actually doing a good job with these children? Does it matter if he does it for the wrong reasons?
And what about the narrator? What pushes him to dig into his friend’s life, to probe Pellizzari’s motivations as if he were an insect under a microscope? Why is he so eager to find flaws in this man? Is it jealousy?
The novella tackles important themes like identity, good conscience and more importantly our capacity to change for the best. Can a selfish man turn into a saint? Are we able to change deep inside? While I think it’s a well written and intriguing story, I liked it but nothing more.
Do you know Mario Soldati? As a film director maybe?