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The Speech by Fabrice Caro – hilarious, bittersweet and spot-on

May 1, 2019 5 comments

The Speech by Fabrice Caro. (2018) Original French title: Le discours. Not available in English

Fabrice Caro is better known under his penname Fabcaro and for his BDs. (comic books) I recently posted a billet about Zaï Zaï Zaï Zaï, one of his most successful BD albums.

Le Discours (The Speech) is his second novel. We’re in Adrien’s head, he’s currently sitting through lunch at his parents’ house with his sister Sophie and his future brother-in-law Ludovic. He’s heartbroken because he recently broke up with Sonia. Their relationship lasted one year and she left him 38 days before. He’s sitting there, alone with his misery when Ludo asks him to give a speech at his and Sophie’s wedding. Poor Adrien doesn’t dare to refuse and he starts panicking about The Speech.

The whole novel is set during one Sunday meal and Adrien is going through breakup angst. Shall he text Sonia? What to text? And after it’s sent, when will she answer? He checks out his phone, goes to the power room to regroup and look at his messages. He’s on pins and needles and overanalyzes everything. He reminisces the stages of their relationship, how they met, how they were together and when things started to fall apart. It rings true because Adrien is going through spot-on little details and his pain is palpable to the reader. It’s one aspect of Caro’s novel. It’s bittersweet, funny at times because of Adrien’s self-deprecating sense of humor but my heart went out to him. Poor Adrien.

While his whole being screams of pain because of his breakup, he manages to engage in the small talk around the table and to worry about The Speech. His mind wanders and he imagines himself at the wedding, speaking in front of everyone. He writes drafts of his speech in his head and it varies according to the tone and the topic of the conversation at the table. These parts are hilarious.

The third aspect of the novel, the one that interested me the most is the family dynamics. The parents regularly invite their children to share a meal. The siblings wouldn’t spend time together otherwise. Sophie takes Ludovic to her parents’ house but Adrien never brings any girlfriend. The meal is like a perfectly orchestrated symphony with each family member knowing their role, their score and playing their usual part. It’s classical music, not jazz and impro is not allowed. Each member sticks to their score. The dishes are a family tradition. The repartition of tasks between the parents and the children are set. At the table, each guest plays his role, brings his topics and share their news.

It’s also a perfect picture of the French middle class with perfunctory meals where nothing important is said but they still glue the family together. The affection is there, deep but silent. Fabrice Caro was born in 1973 and Adrien is forty. Author and character are from the same generation and have reached a stage in life where parents start ageing. The roles are shifting, children feel the need to take care of their parents, they realize their parents won’t be there forever. Here, Adrien remembers a time he drove them to diner at Sophie’s.

Sur le trajet, ma mère, assise à l’arrière, m’avait demandé de rouler moins vite parce qu’elle avait un peu le mal de mer, et j’avais repensé au vomi sur l’auto-stoppeur, et cette inversion des rôles m’était apparue comme le symbole d’une tristesse infinie, une preuve tangible de plus que j’étais entré dans la seconde moitié de ma vie qui consiste à faire pour eux ce qu’ils ont fait pour moi dans la première moitié : m’inquiéter, les chérir, les épargner, rouler moins vite pour éviter qu’ils ne vomissent. On the way, my mother, sitting in the back, had asked me to drive slower because she had motion sickness. I recalled throwing up on a hitchhiker and this reversal of our roles seemed like a symbol of utter sadness. It was another proof that I had entered the second half of my life, the one that consists in doing for them what they did for me during the first half: worry about them, cherish them, spare them and drive slower so that they wouldn’t throw up.

Adrien also remembers his thirtieth birthday. Another breakup and he had come to his parents’ house to find solace. Although his parents did not provide any tangible comfort, the fact that this house exists, with his teenage room intact, his craft done in school on the kitchen wall is already something. He may make fun of himself and his successive breakups, softly joke about his parents’ routine and decoration, his childhood home remains a safe haven. Even if he’s forty, it eases his pain to think that in time of need, this is a place he can turn to. His parents will welcome him. Even if he knows they won’t give him advice because they won’t have heart-to-heart conversations, he knows they love him and show their affection differently.

Le discours is a lovely book and a nice picture of how families get together. Of course, you can read Caro’s description of Adrien’s family dynamics and think they’re pathetic. There’s no deep conversation, Ludo sounds like a jerk, Sophie and Adrien have nothing in common except a childhood in this house and with these parents. I didn’t take it that way. I just thought that going through these rituals is how this family expresses their affection. They’re not touchy-feely but they’re there for one another in times of need. And in the end, that’s what matters the most.

Adrien has a wicked sense of humor and sees everything through biting humorous goggles. It’s self-deprecating sometimes and it borders on sadness. Often, the comic side of the book comes from Adrien’s wild imagination. His mind wanders from a banal topic or sentence. He starts thinking out of the box, exposing the ridicule of something and his thoughts get crazy and out of the usual paths. It’s huge fun, and it’s Caro’s brand of humor, the one that made me laugh so much when I read Zaï, Zaï, Zaï, Zaï. Adrien has also a devilish sense of observation. His thoughts are sarcastic and hugely entertaining.

Le discours is a sad and a funny book at the same time. This combination makes it deep and light. Adrien’s feelings, the description of the family meal and his depiction of his relationship with Sonia, everything rings true. It isn’t bleak but it doesn’t discard Adrien’s raw pain under fake jolly farces. It’s a lot more subtle than that.

Warmly recommended.

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