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The Royal Wulff Murders by Keith McCafferty – Murders and fly-fishing

January 22, 2020 Leave a comment

The Royal Wulff Murders by Keith MacCafferty (2012). French title: Meurtres sur la Madison. Translated by Janique Jouin-De Laurens.

The Royal Wulff Murders by Keith MacCafferty is a book published by Gallmeister in France and with a sticker that says that Craig Johnson found it marvelously entertaining. How could I resist?

The book opens with Rainbow Sam, a fly-fishing guide, whose client fishes a dead body instead of trout. The client generously throws up at the sight and Sam contacts the sheriff. We’re in the small town of Bridger, a fishing community on the Madison river, in Montana. The sheriff is a woman, Martha Ettinger. With her second-in-command Walt, their first task will be to identify the victim and answer the other question: is it an accident or a murder?

Meanwhile, Sean Stranahan, ex PI from Boston and current fly-fisherman/painter is hired by a singer, Vareda Lafayette, to follow her father’s footsteps on the Madison river. Her father has died a year before, loved travelling from New Orleans to Bridger for fly-fishing. He had marked the trout he had taken and Vareda would like Sean to fish them back, to honor her father. (Fishermen are weird, I know but so are bookworms). Soon Sean realizes that Vareda’s problems are more complicated that he imagined, that her brother who lives in the area is missing. Against his will, he will investigate his disappearance.

Martha and Sean follow their leads and eventually understand that their investigations overlap and join their forces. They will dive into the mudded waters of fly-fishing and its lucrative business. (and not, it’s not farfetched)

Keith MacCafferty sounds like a combination of William G Tapply and Craig Johnson. The law representatives are named Martha and Walt, probably a friendly allusion to Craig Johnson. Indeed, Johnson’s main character is named Walt Longmire and his late wife was named Martha. Sean Stranahan reminded me of Stoney Calhoun, Tapply’s fishing guide/detective.

I went to see Craig Johnson at a meeting in a bookstore and he said that sheriffs in Wyoming and Montana are often big guys because the staff of the police force is small, the territory is huge and they often are alone on a spot and can’t count on a quick backup if things go awry. They tend to be muscular and armed. So, deciding on a female sheriff in Montana for a main character is kind of daring.

I liked Martha, her hidden insecurities while she keeps up appearances and leads her investigation like a pro. Like Longmire, she has an Indian friend who helps her in her job. At the same event I mentioned before, Craig Johnson said that books set in Wyoming and Montana that have no Indian characters lack authenticity: there are several reservations in these States and Indians are part of the local population.

The other main character is Sean. He’s divorced, still wears the scars of his failed marriage and left Boston and his past behind to start afresh in Montana. He paints fishing scenes and Montana landscapes to make a living and put a PI sign on his door to differentiate himself from other newcomers. He never thought that someone would take it seriously and hire him, especially since he’s not licensed in Montana.

The Royal Wulf Murders is a lovely combination of beautiful landscapes, loveable characters and a well-oiled plot. I learnt new details about fly-fishing and could test whether I had assimilated some of John Gierach’s lessons from Sex, Death and Fly-Fishing. I want to know Sean and Martha better and see where their informal collaboration will lead them. The plot builds up slowly, probably because MacCafferty settles his characters for the upcoming series but the last third of the book accelerates and takes us to territories I had not anticipated.

Mrs Fletcher by Tom Perrotta – “U r my MILF” someone said to Eve

January 15, 2020 21 comments

Mrs Fletcher by Tom Perrotta (2017) French title: Mrs Fletcher ou les tribulations d’une MILF.

Mrs Fletcher by Tom Perrotta is a light novel about Eve and Brendan, a mother and her son at a crossroad in their lives. Eve is a forty-six-year-old divorcée whose only son is now going to college. We see her as Brendan moves out to his dorm and she comes back home with too much free time. And Brendan is now free to party as much as he wants.

Eve is the director of her town’s senior center. She has a successful career but discovers that she doesn’t have much of a social life. She decides to enroll at her community college and follow a night class, Gender and Society. There, she meets new people and is confronted to the question of gender and identity in the 21st century as their transgendered teacher tells them about her life journey.

At the same time Eve jump-starts her social life thanks to the new acquaintances she makes in college, her sex life is revived. She gets hit on in class and one night, she receives a text from a stranger: “U r my MILF”. Startled, she googles MILF and stumbles upon the amateur porn site milfateria.com. She starts clicking and coming back to it, again and again…

And, oh yeah, she’d also gone and gotten herself addicted to internet porn, not that that was anything to brag about. She understood that it was a little extreme, or maybe just premature, to call her problem an addiction—it had only been going on for a month or so—but what other label could you use when you did something every night, whether you wanted to or not? Tonight she knew she would go home and visit the Milfateria—it felt like a fact, not a choice—probably checking out the Lesbo MILFs, her current go-to category. Last week it was Blowjob MILFs—lots and lots of blowjobs—and the week before that had been a more eclectic period—spanking, threesomes, butt play—just to get a sense of what was out there.

Chapters alternate between Eve’s new life and Brendan’s experience in college. They take opposite directions. Brendan painfully learns that he behaves like a pig with women. He is also faced with the necessity to grow up and get out of his self-centered bubble.

Eve stops to be only a mother to reconquer the woman in her. Her discovery of pornography oddly emboldens her and fosters new fantasies. Brendan has visibility learnt sexuality and relationships to women in pornography and needs to make the journey towards respect. He needs to learn how to interact properly with girls.

Mrs Perrotta is a fun book to read and its humorous tone is deceptive. Behind Eve’s antics and Brendan’s blunders, there’s a fine description of our internet-based societies and a real look at people’s loneliness. Some tell their lives on Facebook and rub their happiness in other people’s face or, as Eve points out when she scrolls through her married friends live feed,

It had been a lot easier to be a loser back in the days before social media, when the world wasn’t quite so adept at rubbing it in your face, showing you all the fun you were missing out on in real time.

Mrs Perrotta questions the impact of pornography accessible to anyone, easy sex on Tinder and other aps. Perrotta is not judgemental, he just shows the consequences on his two characters, Eve and Brendan. It is also the turning point of the relationship between a mother and her son, now a young adult. As a parent, she also needs change from mothering a child to interacting with her adult son. It is a new time in a parent-child relationship, one that lasts until the balance shifts again and children take care of their ageing parents.

Besides Eve and Brendan, there’s a good collection of side characters in Mrs Fletcher, a group of people we are happy to follow in the novel. They are all confused in their own way and try to navigate our world as best they can.

I thought that the ending was a bit trite but, in the end, when I think about it, it’s realistic. Our real lives are not as fascinating as the ones in novels anyway.

I owe the fun reading time I spent with Mrs Perrotta to Guy whose review is here. Thanks Guy!!

Something Will Happen, You’ll See by Christos Ikonòmou – a trip to a Greek working class neighborhood

January 12, 2020 39 comments

Something Will Happen, You’ll See by Christos Ikonòmou (2010) French title: Ça va aller, tu vas voir. Translated from the Greek by Michel Volkovitch.

Something Will Happen, You’ll See by Christos Ikonòmou is our Book Club read for January. It’s a collection of short stories published in 2010 by a young Greek writer. According to the afterword from the French translator, Michel Volkovitch, most of the stories were actually written before 2008 and the subsequent Euro crisis in Greece.

All the stories are set in a blue-collar neighborhood of Athens. The characters are employees, factory workers, dockers or unemployed. They all struggle to survive in a world with a slow economy. Jobs are scarce, several characters have just been laid-off and they don’t have much hope to find something else soon. Even when they work, money is tight because they are in low-paid jobs (one works in an ice factory) and sometimes, their employer doesn’t have enough cash to pay everyone. They come home without pay.

Ikonòmou describes a country whose working class walks on the edge of a financial abyss. Several characters haven’t paid their rent for a few months, others couldn’t afford their mortgage. The ghost of eviction is at their door and steals their sleep. In several stories, the protagonists can’t sleep and invent various stratagems to keep insomnia at bay or survive the night. We all know how a small worry can become a huge issue after nightfall. They smoke, they stay on the stairs outside their building to monitor the street, they tell each other stories. A man talks to his spouse all night to lull her into sleep.

We see people who can’t afford food. We see a country where its senior citizens spend the night on the pavement in front of the community clinic because they want to be the first in the waiting line when the clinic opens the next day. A woman dies in the hospital because the person who brought her to the ER didn’t know her name and they couldn’t check whether she had insurance.

All the stories are bleak, the country seems to be about to crumble and indeed, it did a few years after Ikonòmou wrote these stories. Basic public services like drinkable tap water are not a sure thing.

We see a country with deep differences between the rich and the poor and no security net, which is common for a US reader but shocking for a European reader.

All the stories are bleak because of the characters’ circumstances but they are lit from inside by people’s love for each other. Spouses stay close, comfort and love each other. Friends take care of friends. Families try to help with small jobs or loans. The times are hard but the family unit stays strong and close-knit.

The people we meet here are breathless, holding their breath for what is yet to come or trying to catch their breath after another fortnight without wages. Their fear of tomorrow suffocates them. Some are hungry. A lot are nostalgic of the past. Most of them underwent forced changes in their lives: they had to move out of their house, to change of neighborhood, to accept a job only to make ends meet and pay the bills.

Men are raised to provide for their families and can’t anymore. They feel useless and it chips at their identity and maybe even at their sense of virility.

People have to survive and make the most of what they have. They live in the Piraeus neighborhood and Ikonòmou takes us there, in its street and by the sea.

Ikonòmou’s prose reflects his characters’ struggles. He alternates long and short paragraphs. Some sentences repeat themselves in a story, like thoughts are played on a loop in someone’s mind when they are sleepless with worry. The rhythm of the sentences mirrors the characters’ breathlessness, the way their financial worries choke them. Their hardship puts their sanity at stake. Ikonòmou shows a people beaten down by capitalism and a poor management of the country. They are bruised and battered by life but there’s still hope in love, friendship and solidarity.

Ikonòmou gives us a vivid picture of today’s Greece and I do recommend this collection of short stories.

Monsieur Linh and His Child by Philippe Claudel – Superb and surprising

January 2, 2020 28 comments

Monsieur Linh and His Child by Philippe Claudel (2005) Original French title: La petite fille de Monsieur Linh

Before writing anything about Monsieur Linh and His Child by Philippe Claudel, let’s talk about the French and English titles. In French, it is La petite fille de Monsieur Linh. Since there is no hyphen between “petite” and “fille”, it means Monsieur Linh’s little girl and not Monsieur Linh’s granddaughter. The English publisher chose Monsieur Linh and His Child and I wonder why they picked “child” instead of “little girl”. But back to the book.

Monsieur Linh is an immigrant from Vietnam, probably one of the boat people. We never know exactly where he comes from. He left his home after his family was attacked. He’s an old man and he’s disoriented by his journey. He arrives in France and everything is strange: the language, the food, the city, the smells. He is sent to a refugee center where there are other families from his country. An interpreter comes from time to time to talk to him and help him out with the administrative duties.

He settles into a routine, goes to the park nearby and becomes friends with a widower, Monsieur Bark. They can’t talk to each other with words because one is a native French speaker and the other only knows his mother tongue. But somehow, they speak the same language of sadness and loneliness. Monsieur Linh has left his country and his family is dead. Monsieur Bark mourns his wife and doesn’t have any children. Their common need for company brings them together on this bench morning after morning. Somehow, they communicate and bring each other some much needed warmth.

All along the text, Monsieur Linh has his little girl with him. He travelled with her, never left her alone and he dotes on her. She’s his link to his country, to his past and his family.

La petite fille de Monsieur Linh is a perfect novella, as striking as Address Unknown by Kathrine Kressman-Taylor although their theme is different. They have the same way of building a story up to an unimaginable denouement. And in both books, the clues that lead to the ending are scattered along the pages, the reader just overlooks them. The construction of this tale is perfectly executed.

The other outstanding quality of Claudel’s novella is his compassionate tone. We are in Monsieur Linh’s head and we witness his puzzlement with his new life. He seems to have arrived in Calais or Dunkirk. He’s cold, the city smells, there are a lot of automobiles everywhere. The food is strange, except when his fellow refugees feed him at the center. He doesn’t know what to do anymore and his only goal in life is to take care of his little girl. Although he’s traumatized by the war and his journey to France, he won’t let go because she needs him.

Philippe Claudel imagines Monsieur Linh’s feeling and makes the reader “experience” the pain of being a war refugee. It means leaving a country without preparation and without a real will to emigrate. It’s not a choice, it is imposed on him by dreadful circumstances. The reader feels empathy for these refugees.

I remember the arrival of boat people refugees when I was a child. For us, it meant changing from a tall grumpy French dentist with huge paws and no patience for children fears to a tiny Vietnamese dentist with agile embroiderer hands and a calming presence. I can tell you that his customer base grew quickly.

Not surprisingly, La petite fille de Monsieur Linh is taught in middle school. It’s short, easy to read and has obvious qualities to build the character of tomorrow’s citizen.

Very highly recommended. Lisa also reviewed it here.

PS: Sorry to be blunt, but the cover of the English edition is ugly. There’s no other word for it.

Funny Girl by Nick Hornby

December 28, 2019 9 comments

Funny Girl by Nick Hornby (2014) French title: Funny Girl. Translated by Christine Barbaste

Funny Girl by Nick Hornby opens on a pageant contest in Blackpool, UK. We are in the early 60s and Barbara Parker becomes Miss Blackpool. She ended up in this competition after her aunt suggested it. As soon as Barbara realizes that being Miss Blackpool means a whole year of service as a ribbon cutter to the city of Blackpool, she steps out and refuses her title.

Barbara is a fan of I Love Lucy and she wants to be like Lucille Ball, to make people laugh. She leaves Blackpool to go to London and becomes Sophie Straw. Her agent helps her find auditions even if he thinks she has better chances as a model than as an actress.

One of her auditions takes her to the BBC where the director Dennis Maxwell-Bishop is looking for an actress for a new TV show. The screenwriters are the duo Tony Holmes and Bill Gardiner who were successful with a previous radio show. Clive Richardson will play the male character of this new venture, a sitcom about a couple and their domestic life. Tony and Bill struggle with the scenario, they cannot make the characters sound genuine.

Sophie arrives for the audition and boldly challenges them. She has charisma, a mix of innocence and ambition. She’s a natural comic. Her personality and suggestions are inspiring to Bill and Tony. The four of them make a great team, their working together boosts their creativity.

The adventure of the TV series Barbara (and Jim) can start.

Funny Girl is centered around Sophie, Dennis, Tony and Bill’s lives. Clive is present too, but not as much as the others.

Tony and Bill are both homosexual. They met after they were caught by the police as it was still a criminal offense at the time.  Tony chooses security, marries June and lives a middle-class life. Bill remains true to himself and is involved with the London gay scene.

Dennis is married to Edith, who works for a publisher. She’s at ease with the literary world and her friends have no respect for Dennis’s job. It creates frictions in their couple.

Barbara/Sophie loves her job and her life. Hornby created a lively character, class-conscious and hardworking. Success doesn’t change her. Sure, she can afford a different lifestyle but she never becomes snotty. She’s a very loveable character who learns to navigate in her new environment.

We follow the seasons of Barbara (and Jim) and they give rhythm to the characters’ lives. Nick Hornby ambitions to bring back London in the 60s, the change in the British society and how it is reflected in TV shows. It’s a quick and entertaining read about a turning point in the country: more personal freedom, first commercial TV, end of criminalization of homosexuality, music…It’s also the clash between “classic culture” and “pop culture”, with intellectual looking down on TV producers and even more on comedy shows. Sophie, Dennis, Tony and Bill belong to the pioneers of television series, a genre that is currently thriving.

I imagine that if you’re British and old enough to have known that time, it must be a wonderful trip down memory lane. For me, it was a fun read but nothing more.

Lightning Strikes by Ned Crabb – Mystery in the countryside, US mode

December 22, 2019 4 comments

Lightning Strikes by Ned Crabb (2014) French title: Meurtres à Willow Pond. Translated by Laurent Bury

I swear that when I purchased Lightning Strikes by Ned Crabb, I was drawn to it because of its classic British crime vibe in an American setting. Indeed, it is set in a country lodge in Maine, a sort of US equivalent of the country house in England. A murder occurs and the murderer is among the family and guests. See what I mean with the “classic British crime vibe”? The fact that the lodge is specialized in fishing trips with two family members as renown fishing guides is incidental and has nothing to do with reading William G. Tapply or John Gierach. That said, Ned Crabb put as much care and craft in the plot and in the characters as Gierach in making his flies.

The book opens on Alicia and Six Godwin, retired university teachers, who live on their compound on Winsokkett Pond. They love books and fishing and live for them. They are the happiest with a book in their hands on their porch or on the water with their fishing rod. They have a good marriage, with a warm complicity and the reader likes them immediately.

They are related to Iphigeny Seldon, “Gene” who owns and runs Cedar Lodge, a famous upscale fishing lodge on Willow Pond. Gene is over seventy, she runs everything in a military way. She’s loud, insensitive and relishes in the power she has as the master of Cedar Lodge. She’s a spinster and after her brother and sister-in-law’s accidental death, she took over Cedar Lodge and operates it with her nephews and niece.

Brad Seldon is her oldest nephew. He’s 48, an alcoholic, a celebrated fishing guide whose reputation makes guests book their vacation at Cedar Lodge. He’s married to Renée, who is ten years younger than him. Their marriage has been dead for a while but Renée doesn’t want a divorce if she can’t get a nice settlement, one that Brad can’t afford without his inheritance. And Gene holds the purse strings, if Gene-the-tomboy ever had a purse.

Merill Beauchamp is Brad’s sister. She’s 45, addicted to cocaine and is the other fishing guide asset of Cedar Lodge. She’s married to Huntley Beauchamp, a crook. Their marriage is a sham, they both want out but, guess what, Beauchamp won’t let go without a nice settlement. Now Merrill is involved with Bruno Gabreau, a French fellow fishing guide and she really wants a divorce but she can’t have it unless she puts her hands on her inheritance.

Kipper is the third Seldon sibling. He works in managing Cedar Lodge and he’s the only one who has a decent relationship with Gene. He’s 40, gay and has a relationship with Cedar Lodge’s cook, a Frenchman named Jean-Pierre Lemaire. His lover is tired of living out in the woods in Maine and wants to open a restaurant in New York. Kipper is all for it but he needs his inheritance to fund the restaurant.

Beauchamp is Cedar Lodge’s financial advisor and he embezzled money. He’s afraid that Gene will find out. He took measures against it, mostly to have people temper with the books and hide the missing money. But now he’s not sure that he didn’t put himself in the hands of gangsters and brought them to Cedar Lodge.

They all hate Gene. They all need money. They all contemplate murder. And now Gene organized a family weekend to tell them that she changed her will. They all converge to Cedar Lodge for this family reunion. So, when Gene dies during a thunder night at the lodge, there are plenty of suspects.

Lightning Strikes merges Nature Writing with Crime Fiction, the two wrapped in a light touch of humor. There are beautiful descriptions of the nature around the lodge and the Godwins’ compound. In that respect, it’s very similar to Crossing to Safety by Wallace Stegner. Lightning Strikes has the same slow-life tempo as any Nature Writing book, despite all the twists and turns of the story.

The well-oiled mechanism of the classic whodunnit is there too. We are both on familiar and unfamiliar grounds. The minor characters are excellent too: the old playboy who wants to marry Gene as a retirement plan, the pseudo-British guests, Tory and Nelson, a couple of tourists who aren’t at the lodge only to fish trout. The sheriff team is not used to dealing with murders like this. Sheriff Doucette (which, for a French, equals to reading Sheriff Sweetie) is not sure about what to do and Crabb opens a window to the team’s dynamics. These interactions are delightful too. And the Godwins play the sheriff’s assistants and love it.

It’s not a highly memorable book but, like Weekend at Thrackley, it’s entertaining.

It’s a Gallmeister book, and as always, the translator is excellent. I loved how he transcribed the American way of saying Beauchamp, because I never would have guessed it was Bi-tcheum.

 

Figurec by Fabrice Caro – Appearances are deceitful

December 15, 2019 4 comments

Figurec by Fabrice Caro (2006) Not available in English

Figurec is Fabrice Caro’s debut novel. His first love is BD (comics) with an offbeat sense of humor. He has a knack for picturing our world, our quirks and inconsistencies. You’ve heard about him twice this year on this blog, first when I blogged about his BD Zaï, Zaï, Zaï, Zaï and then when I wrote about his latest novel, Le discoursFigurec is a first bridge between his BD and novels, Le discours is more accomplished.

Now the book and how can you sum up a book like Figurec?

The first chapter is an “Act 1, Scene 1” of a theatre play. The second chapter is a man attending a funeral and who thinks:

L’enterrement de Pierre Giroud m’a énormément déçu, c’était une cérémonie sans réelle émotion. D’accord, il y avait du monde, bien plus qu’à celui d’Antoine Mendez, mais tout cela manquait de rythme, de conviction. Même la fille de Pierre Giroud –du moins celle que je supposais être la fille de Pierre Giroud—n’était pas très en verve. Elle hésitait en permanence entre une pudique retenue et des sanglots bruyants de qualité très médiocre. Le résultat était assez caricatural, sans nuances. Pierre Giroud’s funeral was a stark disappointment. It was a ceremony devoid of real emotion. OK, there were a lot of people, a lot more than at Antoine Mendez’s funeral but this one lacked rhythm and conviction. Even Pierre Giroud’s daughter –or at least the one I assumed was Pierre Giroud’s daughter –wasn’t in brilliant form. She was always between modest self-restraint and loud sobs of poor quality. The result was caricatural, without proper nuance.

He watches the funeral as if he were watching and commenting a theatre play or a soccer game.

After this funeral, the narrator goes to diner at his friends Julien and Claire’s place. We learn that he dines with them five times a week but they don’t seem to mind. He likes them but still thinks he’s mooching off them and at the same time bringing entertainment in their otherwise dull marriage. For fun, Julien collects original 45s that were #1 at the Top 50 French chart in the 1980s and his enthusiasm about his latest find is puzzling, but who are we to judge someone else’s passions?

Our narrator also goes to diner at his parents’, a diner that his successful younger brother and lovely girlfriend attend too. His parents worry about him because he won’t settle down and doesn’t seem to grow up. He feels like a failure compared to his brother.

Our narrator is a would-be playwright and the “Act Something / Scene Something” inserted in the novel remind us his attempts at writing his play and his true goal in life.

After the first few pages, the reader feels that they’re spending time with a weird narrator, a sort of loser who attends funeral for fun, takes advantage of his friends, makes his parents believe he’s a writer-to-be when he just bums around. At this stage we think we’re just with a pathetic and nutty character.

Things get strange when a man approaches him at a funeral and asks him whether he belongs to Figurec too. That’s where the off-the-wall story takes you to a parallel world of false pretense where you don’t know who is who and what to think. All this is wrapped up in Caro’s unique brand of humor and talent for alternate universes.

A fun and disconcerting book. Next week I’ll see the theatre version of Zaï, Zaï, Zaï, Zaï and I can’t wait to see how the director translated this BD to the stage.

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