Archive

Archive for the ‘Thriller’ Category

AusReadingMonth: Lexicon by Max Barry – “Words are weapons sharper than knives”

November 1, 2019 17 comments

Lexicon by Max Barry (2013) Not available in French.

Wil Parke is brutally kidnapped at Chicago airport. A mysterious team takes him to the lavatories and try to make him confess his true identity. He doesn’t know what this is all about. He’s a carpenter and his girlfriend is waiting for him at the arrivals. That’s all he knows. Things get violent quite fast and a man named Tom explains that their pursuants are “poets”, members of an organisation where leaders take the name of famous dead poets.

A mass killing happened a year before in Broken Hill, Australia. The whole population of the town was killed. Officially, it’s due to industrial leakage but the organisation knows that their agent Virginia Woolf went there with a weapon of mass destruction. She escaped and Wil is the only other survivor. He seems to be immune to the weapon. Problem 1: The weapon is still in Broken Hill and nobody can approach it without dying. Problem 2: Virginia Woolf is on the loose and she’s very dangerous. Poor Wil finds himself in the crossfire of two different factions among the poets and has to fight for his life.

Lexicon alternates chapters between the ongoing man hunt and Virginia Woolf’s story. Her name was Emily Duff. She was a sixteen-year old girl playing tricks on the streets in San Francisco when she was recruited to attend a special school near Washington DC. The school head is a poet, Charlotte Brontë. Her teachers are Lowell and Eliot. At the school, students learn the art of manipulating people’s minds. This is Emily’s epiphany:

But the truth was, she had just figured it out. Attention words. A single word wasn’t enough. Not even for a particular segment. The brain had defences, filters evolved over millions of years to protect against manipulation. The first was perception, the process of funnelling an ocean of sensory input down to a few key data packages worthy of study by the cerebral cortex. When data got by the perception filter, it received attention. And she saw new that it must be like that all the way down: There must be words to attack each filter. Attention words and then maybe desire words and logic words and urgency words and command words. This was what they were teaching her. How to craft a string of words that would disable the filters one by one, unlocking each mental tumbler until the mind’s last door swung open.

The poets master the art of “compromising” people, meaning that they take control over their minds and make them do what they want. Students learn languages, psychology and neuroscience. People are put into narrow segments, each segment reacts to certain words that make their mental walls collapse, enabling the poet to take over their mind. This is what it feels like:

Vartix velkor mannik wissick. Be still.”

Her mouth snapped closed. It happened before she realised what she was doing. The surprise was thet it felt like her decision. She really, genuinely wanted to be still. It was the words. Yeats, compromising her, she knew, but it didn’t feel like that at all. Her brain was spinning with rationalisations, reasons why she should definitely be still right new, why that was a really good move, and it was talking in her voice. She hadn’t known compromise was like this.

Frightening power, isn’t it?

What happened to Emily? Are Wil and Eliot right to be afraid of Virginia Woolf? Or should they be more concerned about Yeats, the director of the organisation? The two branches of the story converge in the end, giving the reader a whole picture of what happened. It is hard to give more details about the plot without giving away too much. This blog is spoiler free, so…

In Lexicon, Max Barry explores the power of language and how people can be manipulated. He imagines that the most lethal weapon is a word, a word so powerful that people die around it. The leaders of the organisation are poets because they are good with words. At their school, students have to learn to control their mind. They know they could be “compromised” and they know how to do it to others. They are taught to mask their feelings. Desires are unwanted, even basic ones like the desire to love and be loved. Desires are weaknesses and poets must keep their thoughts under a tight leash.

Emily is somehow resistant to it. She grew up cheating to survive and this instinct stays strong in her. Eliot never managed to tame his natural tendency to empathy. In the eyes of perfectly controlled Yeats, Eliot is weak. These two have one thing in common: they bend the rules because they don’t have the same ironclad control that the others have.

Lexicon plays with the idea of dominating people by feeding them words so well chosen that they target specific responses. Poets do what ill-intention press does, what social network can do, as the Cambridge Analytica scandal showed us. The master idea behind the organisation is that if you manage to attach someone to his adequate psychological segment, you’ll know how to get to him.

Now I have a question for English literature specialists. I’m not a good reader of poetry, not even in French, so I don’t know well Anglophone poetry either. Of course, I know about Yeats, Charlotte Brontë, Virginia Woolf, TS Eliot and other poets mentioned in the book. What I don’t know is what their names trigger in a British or American mind. Is it normal that the dissident poet is TS Eliot? Does it mean something that the cold, unfeeling and repressed leader is named Yeats? For example, when Yeats-the character says this…

“When I experience base physiological needs for food, water, air, sleep, and sex, I follow protocols in order to satisfy them without experiencing desire. Yes, it’s funny.”

“You fucking what?”

“It’s required to maintain a defence against compromise. Desire is weakness. I’m sure I explained this.”

…does it make any sense compared to Yeats-the-real-poet? I’d be grateful for a little bit of insight. I’m afraid I missed some subtext.

Lexicon is the kind of dystopian fiction you want to have on a long plane journey. It’s a page-turner, it’s entertaining and it makes you think.

This is my fifth Max Barry after Company, about the absurdity of corporate life and management methods (anyone in HR should read it), Syrup, about marketing and the launch of a new soda on the market, Jennifer Government, about consumerism, Machine Man, about transhumanism. All books are dystopian fiction and work around an angle of our contemporary societies. My favourite ones are Company and Jennifer Government. A new novel, Providence is expected in March 2020.

For another review of Lexicon, read Guy’s here. Thanks again, Guy, for introducing me to Max Barry. I also read it as my participation to Brona’s AusReadingChallenge. It’ll last the whole month of November.

The Summer of Katya by Trevanian – Thriller in the Basque country

August 25, 2019 10 comments

The Summer of Katya by Trevanian (1983) French title: L’été de Katya. Translated by Emmanuèle de Lesseps.

But despite the physical and emotional parallels between today and that distant summer, I find it difficult to express my memories lucidly. The problem is not in the remembering; it is in the recording; for a while I recall each note clearly, they play a false melody when I string them together. And it is not only the intervening years that distort the sounds and images; it is the fact that the events occurred on the other side of the Great War, beyond the gulf of experience and pain that separate two centuries, two cultures. Those of us whose lives are draped across that war find their youths deposited on the shore of a receding, almost alien, continent where life was lived at a different tempo and, more important, in a different timbre. The things we did and said, our motives and methods, had different implications from those they now have; therefore, it is possible for a description of those things to be completely accurate without being at all truthful.

When the narrator of The Summer of Katya by Trevanian says this, we are in August 1938. Dr Jean-Marc Montjean is 45 as he recalls his summer of 1914, just before the Great War started.

In 1914, he’s 21 and he’s back in the French Basque country after studying medicine in Paris. Dr Gros took him in as assistant to his clinic where he specializes in the “discomforts” associated with menopause. Jean-Marc is skeptical about the clinic’s patients, doesn’t hide it from Dr Gros but he took him in anyway.

Jean-Marc meets the Treville when Katya comes into the village to fetch a doctor because her brother Paul hurt his shoulder. They are twins and look very much alike. They live with their father in a remote rented house. Their father is buried in books, a history buff who only comes out of his office from time to time.

Jean-Marc is soon fascinated by Katya and strikes an odd friendship with Paul. The young man seems to play a game of push-and-pull with him, sometimes letting him in as a friend and sometimes roughly pushing him away. Katya is the same, apparently torn between going further with him and rejecting him for reasons he has yet to discover. Jean-Marc is on a constant roller-coaster of emotions with these two. Paul and Katya have warned him off: their father must not think there is any kind of love relationship between Katya and Jean-Marc. Why?

A feeling of unease rapidly invades the reader’s mind. Why are the Treville in Salies-Les-Bains? What are they hiding from? What scandal pushed them to flee from Paris? Why did Katya decided to change her name from Hortense to Katya? They share a heavy burden, but what is it?

Paul keeps telling Jean-Marc that he must not fall in love with Katya but you can’t avoid falling in love. The atmosphere thickens and the reader knows from the start that there will be no happy ending, we just wait for the drama to unfold before our eyes.

Besides the story between the protagonists and the thriller side of the book, The Summer of Katya is a fine piece of literature. Trevanian has lived in the French Basque country for a while and you can feel it in the descriptions of Salies-les-Bains, of the countryside and the village feast the Treville and Jean-Marc attend. As you heard it in the quote before, his language has a melancholic musicality. Jean-Marc never married after that summer, the one of Katya, the last one of his youth, before History hit him with the Great War and he had to recover from the aftermath of Katya. It was the end of a civilization and the end of his world.

I had never read any book by Trevanian before this one. I understand that The Summer of Katya is different from his other novels and that his most famous one is Shibumi. Has anyone read him before?

The Rhône River Murders by Coline Gatel – French CSI in 1897

July 7, 2019 17 comments

The Rhône River Murders by Coline Gatel (2019) Original French title: Les suppliciées du Rhône.

I am forever late with my billets this year and I was tempted to write a crime fiction post about The Rhône River Murders by Coline Gatel, Black Run by Antonio Manzini and The Black Echo by Michael Connelly. But I’m always reluctant to mix several books in a billet, even if I enjoy other bloggers’ omnibus reviews.

The Rhône River Murders is Coline Gatel’s debut novel. It’s not available in English but it’s an easy read for a foreigner who understands French. Coline Gatel was invited at Quais du Polar and participated to a panel with Fabrice Cotelle, the head of the French CSI. This talk about the early days of criminology was fascinating and I wrote about it here.

After attending this conference, I purchased and got signed Coline Gatel’s crime fiction book, set in Lyon in 1897. Young women are murdered in the city, pregnant and most probably after visiting a faiseuse d’ange, a backstreet abortionist. (The French term is more poetic for such a bleak business, it means angel maker.)

At the time, Alexandre Lacassagne is a pioneer in forensic medicine and criminology. He’s convinced that autopsies are a way to gather clues about the cause of death. He instigated techniques to find material clues on the corpses and on the crime scene. Lacassagne is one of the fathers of CSI but he was also interested in sociology and psychology, linking them with scientific investigation methods.

While the police remain incompetent and absent, Lacassagne asks his best student Félicien Perrier to investigate the case. He will work on it with his roommate Bernard and a young journalist, Irina Bergovski, an emigrant from Poland.

Coline Gatel takes us to the Lyon of that time and for those who know the city, it’s a nice journey into the past. We see Lacassagne teaching at the Lyon Faculty at the Hôtel Dieu. We enter the opium salons of the city, something I wasn’t aware of. We see the hospices and the streets. We learn about early criminology and that the morgue was actually on a boat on the Rhône River. Coline Gatel peppers her book with anecdotes and trivia. This is where I learnt that in the 19thC, women couldn’t wear pants unless they had a special police authorization to do so. Without the appropriate pass, women could be arrested for wearing pants. Unbelievable.

I’m a good public for this type of books because I love hearing about everyday life in previous centuries. (I had a great time with What Jane Austen Ate and Charles Dickens Knew: From Fox Hunting to Whist—the Facts of Daily Life in 19th-Century England by Daniel Pool) And I enjoyed reading about Lacassagne who is now more than an avenue name to me.

The plot was well drawn, I kept reading, I was eager to know the ending. It had an unexpected turn in the end, one I didn’t see coming. The Rhône River Murders is a pleasant read, a nice way to dive into the Lyon of the Belle Epoque with a gripping murder story.

A perfect holiday read.

The Song Is You by Megan Abbott – Aspartame Noir.

April 6, 2019 5 comments

The Song Is You by Megan Abbott (2007) French title: Absente. Translated by Benjamin Legrand.

Megan Abbott was at Quais du Polar a few years ago and I had the opportunity to talk to her and she signed my French copy of The Song Is You. It was time for me to finally read it.

The book opens in 1949, in Hollywood. An ambitious starlet, Jean Spangler leaves her home to go to a night shooting at a studio. She never comes back. The only thing that was ever found was her handbag in a park. The case is closed quickly by the police and remains unsolved.

Then we’re in 1951. Pushed by Jean’s friend Iolene, the journalist Gil Hopkins starts investigating Jean’s disappearance again. Jean was involved with actors who had violent and degrading parties and possibly with the mafia.

Gil Hopkins is a journalist turned into a well-known PR person for a studio in Hollywood. He spins stories for a living, in order to keep the studio’s actors out of bad press. He benefited of Jean’s disappearance in a way because he was the one who helped her studio erase any link between her and them that night.

Gil Hopkins (Hop) is a troubled character, a womanizer who drove his wife into the arms of his best friend. A man attracted by Hollywood’s fake lights like a moth to a flame. He has money to buy fine clothes but at what price for his integrity? Of course, he drinks a little too much and spends too much time in bars. He’s handsome, has a real talent for spinning stories and feeding them to the press. He knows how to swim in muddy waters.

To be honest, I wasn’t interested in discovering what happened to Jean Spangler and I abandoned The Song Is You after reading half of it. I figured that if I wasn’t hooked by a crime fiction novel after 150 pages, then it was probably time to spend my precious reading time on something else. It didn’t help that the translation had some mishaps, mostly frenglish translation. Completed cannot become complété in French. And executives are cadres, not exécutifs.

The Song Is You is a tribute to Chandler but to me it remained aspartame Noir. It reconstructs the atmosphere of Hollywood in the golden age. All the details are probably accurate but it lacks the feeling of the writer who actually lived that time. It’s well-crafted but it’s not the same. It is also based on a true story and I think it might even be a cold case. It’s hard not to think of it as a reference to The Black Dahlia.

I felt like Megan Abbott was slipping into someone else’s shoes instead of using hers. Although he’s a lot less detail oriented about Hollywood, I preferred Jake Hinkson’s Not Tomorrow. It is set in the 1940s but he doesn’t try to create another Chandler or another Cain. He made the setting his own and wrote a book with his own voice. He didn’t try too hard to respect some Noir codes.

So, I left Hop in Hollywood and hopped on another crime fiction trip with Les suppliciées du Rhône by Coline Gatel.

Force of Nature by Jane Harper

July 16, 2018 13 comments

Force of Nature by Jane Harper (2017) French title: Sauvage

Force of Nature is the second volume of the Aaron Falk crime fiction series by Jane Harper. Five men and five women from the company BaileyTennants are sent on a company retreat in the Giralang Ranges. The two groups have to hike during several days, looking for banners, going from one campsite to the other until they make it to the arrival.

The problem is…only four women come back and Alice Russel has disappeared. Aaron Falk and his partner Carmen are worried about this because Alice was the whistleblower in the case they’re working on. Daniel and Jill Bailey, the managers and owners of this family business are involved in money laundering for wider criminal networks. Falk and Carmen are only cogs in a giant investigation and they were about getting crucial documents from Alice about the Baileys’ business.

Does her disappearance have anything to do with their case?

Jane Harper weaves a masterful net of relationships between the women. They are mismatched. The group leader is Jill Bailey, as a member of senior management. Alice Russel, the one who disappeared is here with her assistant Bree McKenzie. Lauren Shaw went to a special boarding school with Alice Russell and they’ve known each other for thirty years. The last participant is Beth McKenzie, Bree’s twin sister.

All have a specific relationship with Alice. Alice is known as an ice queen bitch, so the others might have her reasons to wish for her disappearance. Jill muses:

Being around Alice was like owning an aggressive breed of dog. Loyal when it suited, but you had to stay on your toes.

There’s some resentment between her and Lauren, she tends to bully Beth. Jill’s side business in the firm is threatened by Alice’s interactions with the police. The book is constructed in such a way that the reader alternates between following the police investigation and the rangers’ researches to find Alice in the bush and following the women’s hike and discover how things went wrong. At the beginning, the device bothered me a bit but it proved excellent because it broke the monotony of the investigation and broke the palpable tension I felt when I was following the women’s hike. The bushland setting contributes to the tension of the story as it is rife with dangers. In a way, it talks to our deepest fear, the ones we heard of in fairy tales when we were little, the fear to get lost in the forest.

It was strange, Jill thought, how much the bushland started to look alike. Twice she’d spotted something – once a stump, the other time a fallen tree – which she was sure she remembered from earlier. It was like walking in a semi-constant sense of déjà vu.

The bushland is another character, it’s not human but it sure helps move the plot forward and add on the feeling of urgency and of threat.

It’s a clever crime fiction novel, one I’d recommend as a summer read. Harper’s style is efficient, to the point but not very literary. There are better crime fiction books than this one, as far as literature is concerned. However, it’s an excellent reading time.

On last note, I bought a copy in the original and it gave me another opportunity to work on my spoken Australian English, after Anita Heiss and Marie Munkara. And I am puzzled by the Australian habit to shorter words like bikie or barbie. I’m getting used to the short words with an “ie” as a suffix though. However, I had to google spag bol because I couldn’t figure out what they were eating. (It doesn’t help that visually, bol is bowl in French)

Force of Nature is another contribution to the Australian Women Writer Challenge.

Freedom’s Child by Jax Miller

July 17, 2017 9 comments

Freedom’s Child by Jax Miller (2015) French title: Les infâmes

I have a signed copy of Freedom’s Child by the bubbly Jax Miller who attended Quais du Polar last year. I’m going to reassure non-French speaking readers right away: this book is available in English. It was even written in English! Yay!

Freedom Oliver used to be Vanessa Delaney. She lives in Painter, Oregon and she used to live in Mastic Beach, New York. She used to be the mother of Ethan and Layla. They are now named Mason and Rebekah and were adopted by a preacher and his wife in Goshen, Kentucky. There are a lot of “used to” in Freedom’s life since she’s been living under the Witness Protection program for eighteen years. Her husband, Mark Delaney was murdered. First accused of killing him, Vanessa is later released and her brother-in-law Matthew, Mark’s brother, is convicted of the crime.

Freedom is a waitress in a bar, she tends to drown her sorrows in alcohol and follows her children’s life from afar, thanks to Facebook.  She doesn’t live, she survives.

Two simultaneous events will break her shell of a life. After 18 years in prison, Matthew is released and wants to take revenge. He managed to learn where Vanessa was hidden and with the help of his brother Luke, he intends to kidnap Freedom’s children to get to her. The other event that puts Freedom’s life upside down is that Rebekah goes missing. Now Freedom is on a mission, she’s determined to travel from Oregon to Kentucky to find her daughter. Mason, Rebekah’s brother, is also on his way. He is estranged from his adoptive family because their views on religion differ. As the book progresses, we discover that Virgil and Carol Paul, the adoptive family, have founded a cult and are convinced that God speaks to Virgil and gives him instructions.

And that’s all I’ll say about the plot.

Freedom’s Child follows several subplots and strands and they all join nicely in the end. I enjoyed Miller’s style, her vivid descriptions of places, like here in Kentucky:

About forty minutes after leaving the Bluegrass, Mason and Peter enter the Goshen Police Department, a one-room jail that dates back to the 1800s with a pillory and whipping post on the small patch of grass in front of the building, a reminder that Goshen held fast to outdated diligence and iron-fisted penalties to criminals and sinners alike, as far as modern law would allow.

For a French –and I suspect for a European in general— this is a very American novel. There’s the Witness Protection Program for once but mostly, it’s Goshen, its sheriff and its preacher than seem so outdated that you wonder if they are plausible characters. Jax Miller describes Goshen as…

A place so backward that the pursuit of justice became its own version of injustice, as seen in the occasional lynch mob that seeks their own righteousness by back-alley vigilantism like beatings and chasing out of town. A place where God’s grace became a weapon of suppression and acquiescence used by men in authority, big fish in small ponds who have nothing to do better than sit at home, boost their own egos, and jerk off to their own power trips.

Not where you’d want to go on holiday. Goshen and Virgil Paul reminded me of Hell on Church Street by Jake Hinkson, a very dark novel with a religious serial killer set in Arkansas. I don’t know how Americans see Kentucky, but hick seems to be often associated to its town names. Kentucky is the state that Kingsolver’s character Taylor leaves behind in The Bean Tree. She keeps repeating there’s nothing to do in Kentucky where Kingsolver herself was born and raised. And here Jax Miller doesn’t help Kentucky’s reputation. You sure don’t want to cross path with Virgil Paul, a sociopath that could only be born in the Bible Belt. These preachers are a genuine American species, there’s nothing like this in France or they’re considered as a cult.

I noticed that the Delaney brothers are named after the Evangelists, Luke, Mark, Matthew and the preacher’s last name was Paul. We have the four of them and they are dangerous and unbalanced criminals. The last and disabled Delaney brother is named Peter, and he’s the most humane one, the one who’ll help Freedom and in a sense, he had the keys to her paradise. Some things might be a bit too obvious and after reading Leaving Las Vegas, I’m not sure Freedom is a convincing alcoholic. That said, this is Jax Miller’s debut thriller and I’m sure she’ll polish her skills in the future. I did enjoy the ride and rooted for Freedom all along.

PS: For the anecdote, I’ll say that describing something as eggshell white doesn’t work at all for a French. Here, eggs don’t have white shells!

Hell & Gone and Point & Shoot by Duane Swierczynski

August 29, 2016 10 comments

Hell & Gone (2011) and Point & Shoot (2013) by Duane Swierczynski. Not available in French. (So far. So it goes in the Translation Tragedy category)

 What was that old saying? It’s all fun and games until someone loses an eye? Hardie supposed the fun and games were over. Now it was something else.

Swierczynski_hell_gone

And something else it is.

I have read Hell & Gone and Point & Shoot by Duane Swierczynski almost one after the other. There are the two last books of the Charlie Hardie trilogy. The first one is Fun & Games and my billet about it is here.

In the first episode, poor Charlie Hardie happens to be at the wrong place at the wrong time and crosses path with a secret organization, The Accident People, who are specialized in killing people through what looks like an accident. Charlie Hardie is a tough guy. The Accident People are so impressed with his resilience and toughness that they decide they they want him to work for them. Hardie isn’t really on board with the idea so they don’t give him a choice. They kidnap him, drug him and ship him to in a high security prison somewhere. Soon, Hardie discovers he’s supposed to be the warden of highly dangerous criminals. And there’s a catch: if he tries to escape, it will trigger a death mechanism and everybody will die. And Charlie Hardie isn’t a killer. So a warden he becomes and he needs to manage a team of lethal guards. Hardie is a lone wolf. He used to work for the Philadelphia Police Department as a “consultant”, being a real cop wasn’t his thing. He worked closely with a police officer, Nate, and he was the one with the social skills in the duo. Hardie is not a leader, he’s a Pitbull who never gives up. Despite his desperate position, he still plans on escaping and doing whatever it takes to get out.

Hardie needed to gain their trust somehow, put them at ease. He couldn’t escape if his own staff was keeping a closer eye on him than the actual prisoners.

God help him…

He needed to hold a staff meeting.

This gives you a taste of Swierczynski’s brand of prose. Punchy, straight to the point and laced with tons of humor. The whole book is a fast paced adventure as Hardie discovers the ins and outs of the prison and the personality of the prisoners. It’s hard to know who to trust. There are new developments all the time and it’s a highly enjoyable ride.

In Point & Shoot, Hardie has been sent in orbit around the Earth. The Accident People again. This time he’s keeping something precious in a satellite. He’s trapped there for a year at least and he can observe his wife Kendra and kid through a weekly live feed. He must stay on duty for twelve months otherwise his wife and kid will have “an accident”. He can’t say he’s comfy in his in-orbit shoe box.

Ordinary life up here in space was a Black & Decker funhouse of pain.

Things change when his avatar lands on the satellite and makes them fall into the Pacific Ocean. How will they survive? Is this man trustworthy? Are Kendra and Charlie Junior in danger?

You’ll know more if you read the book. We learn more about the criminal organization that holds Hardie prisoner, why he’s so resilient despite all the beatings, drugging and other awful things that happen to his body. His mind is unreachable. He’s stubborn as hell and never gives up. He’s got a one track mind and protecting his wife and son is his only goal.

He’s an engaging character because his moral compass remains stable. He’s tough physically but also mentally. He remains human, not a superhero. It is through little observations that the reader sympathizes with Hardie’s predicament.

Sometimes all Hardie wanted in the world was the opportunity to stretch. A real stretch, where you can reach your hands to heaven and you can feel the vertebrae pop. Such a stretch was impossible in this claustrophobic tin can. And taking a leak? Back on Earth, guys were blessed with the ability to find a semi-hidden spot, unzip, and let it fly. Up here Hardie had t contort as he were doing yoga in a closet. If the vacuum seal wasn’t tight, then he’s enjoy the sensation of his own gravity-free piss droplets smacking into his face.

He’s the good guy put in impossible situations and he fights against the monsters.

Swierczynski_point_shootThese books are off the charts action movies. I wonder why nobody turned them into films. There’s so much material here. I love Swierczynski’s sense of humor, his style and his crazy ideas. He even gave the surname of his French translator to the French character in Hell & Gone. It’s an unusual surname, Aslanides, I knew she was her translator for France and I asked him if it was an allusion to her and it is.

I’m so sorry to report to French readers that this trilogy isn’t translated into French. It’s available in ebook and in English. Unfortunately, it means you won’t have the paper books with their gorgeous covers.

Many thanks again to Guy for pointing Duane Swierczynski in my direction. I will definitely read other books by him. Here are his reviews of Hell & Gone  and of Point & Shoot

 

%d bloggers like this: