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Snitch World by Jim Nisbet – San Francisco Noir

May 23, 2020 6 comments

Snitch World by Jim Nisbet (2013) French title: Petit traité de la fauche. Translated by Catherine Richard-Mas

Klinger didn’t waste a moment. His door, being the one that had impacted the light pole, was jammed. So, as they’d been robbing liquor stores with the top down, since they couldn’t figure out how to get it up, he tried to step up and out of the stolen sports car with dignity. But the remnants of the airbag entangled his legs, and he and his dignity spilled headlong into the street.

And this, Ladies and Gentlemen, is Klinger, the main protagonist of Snitch World by Jim Nisbet. He’s a middle-aged thug, a weird concept because people should grow out of being a thug.

He and his accomplice Chainbang have just robbed a liquor store. They are in a car accident in the middle of the street, the police, the firemen and the paramedics are on their way. Klinger takes his share and ditches Chainbang, disappearing into the night while his partner is getting arrested. That’s Klinger for you.

He loves to drink and steals to pay for his booze and spend nights in cheap hotels, in North Beach, San Francisco. Nisbet takes us to this city, which seems to have turned its back to the counterculture of the 1960s and 1970s to fully embrace the tech era. Klinger is old school, he doesn’t even own a mobile phone. Walking down the SF streets, he gets reacquainted with Frankie, a pick-pocketing artist who was just released from prison.

Living in the tech world is Phillip Wong, a genius in programming and designing phone apps. He’s been working night and day for a start-up founded by Marcie, a girl he has a crush on. After working himself into exhaustion, he finally understood that Marcie took advantage of him and he decided to hop off the train.

Klinger and Wong’s worlds collide when Klinger and Frankie pick Phillip as their mark and accost him on the street. Klinger distracts him, Frankie visits his pockets. Problem: Phillip fights back and both he and Frankie are unconscious on the pavement when Klinger scurries for cover.

The next morning, Klinger reads in the paper about the aggression and that one man is dead and the other is in the hospital. Who is dead and who is alive? He gets his answer quickly when Marcie knocks on his hotel door. She has geolocated Phillip’s phone and she wants it bad as it is the key to his latest IT developments.

Klinger can’t say no to Marcie’s money and embarks in a fatal journey.

This is Noir territory. San Francisco is used as an atmospheric background and rain pours down on Klinger, the same kind of rain Chandler describes in Los Angeles. Nisbet takes us on the rainy streets of San Francisco, from Tenderloin to North Beach. We visit shabby bars and decrepit hotels that could not survive COVID-19 health code regulations.

Nisbet has a great sense of humor, he makes fun of this new world we’re in, with phone owning our lives and all the various apps we use. Klinger is out of his depth in this tech-dominated world.

Professional robbers don’t pick coat pockets anymore, Nisbet tells us. Marcie and her kind pick at other people’s brain and pocket the money. But since it’s technology, it’s socially acceptable.

As his name suggests it: Klinger clings to his old ways and to life. He’s always been a drifter and his main goals are to avoid jail and to get enough money for booze, food and a dry place to sleep. He’s not a very pleasant character, probably because he’s lazy, selfish and has no loyalty. I guess we can sympathize with a criminal who lives by his own moral code, provided that he has a code and abides by it.

I was invested in the story and wondered how it would end. I enjoyed Nisbet’s style and the barbs against the tech world that transformed San Francisco into one of the most expensive cities of the USA.

Recommended.

A Humble Enterprise by Ada Cambridge – Melbourne, tea cups and romance

April 26, 2020 20 comments

A Humble Entreprise by Ada Cambridge. (1896) Not available in French.

I decided to sign up for Australian Women Writer Challenge again. I had joined this literary event in 2018 and all my Australian readings are in here. AWW (#AWW2020) is hosted by Australian bloggers and its rules are described on their website.

The idea is to read four, six, ten or more books written by Australian women writers. I’ve already read four, so I’m joining the party now. The first ones are two books by Catherine Helen Spence, her novel Mr Hogarth’s Will and her Autobiography

I had A Humble Entreprise by Ada Cambridge on the TBR because it was included in my omnibus collection of books by Cambridge that I acquired when I read The Three Miss Kings.

It also includes Sisters, A Mere Chance, Materfamilias, The Retrospect and her memoirs Thirty Years in Australia. I’ve read Sisters (upcoming billet). Among the ones I still have on the TBR, which one would you recommend?

A Humble Entreprise doesn’t seem to be one of Cambridge’s most famous books, it’s not even listed on her Wikipedia page.

A Humble Entreprise opens with a familiar scene of 19thC novels: Joseph Liddon, a dutiful clerk at the Churchills’ offices and dies in a tram accident, leaving his wife and his three grown-up children without an income.

His young son is hired as a clerk in the same office as his father but he can’t support the whole family with his entry-level wages. The eldest daughter, Jenny, comes with a plan: she convinces her mother and sister to open a tea shop in Little Collins Street, Melbourne. To keep the running of the shop simple and efficient, they decide to serve tea, coffee and scones, since Mrs Liddon excels at baking them.

She puts an ad in the paper to advertise the place and Mr Churchill, her father’s former employer, stumble upon it. He remembers about the late Mr Liddon and also that his family declined any financial help from the firm. He’s impressed by their entrepreneurship and their willingness to support themselves with their tea shop.

He decides to visit the place and endorse it. He asks his wife and daughter to have tea there on their next shopping trip to Melbourne and to promote the shop to their lady friends.

Soon, thanks to Jenny’s sound management of their money and Mrs Churchill’s patronage, the place is successful.

Meanwhile, at the Churchill mansion, the family prepares themselves to the return of Mr Churchill’s eldest son, Anthony, from his trip in Europe. His stepmother is particularly happy to see him again, she who hoped to marry him but eventually married his father. She’s still romantically attracted to her stepson, which brings a certain twist to the story.

Anthony is thirty-five, still single and thinks it’s time to settle down. If only he could find the right wife. He has played the field enough and knows he doesn’t want a frivolous wife who only cares about clothes and parties. He wants an industrious, caring wife, one who’ll want to take care of their children and not let them too much in the care of nannies.

Guess what happens when he meets hard-working, no-nonsense and entrepreneurial Jenny?

A Humble Entreprise is written for a readership of young girls. Ada Cambridge uses this light and fluffy romance to give advice about love and marriage. There are several passages in which Anthony muses over the qualities he wants in his future wife. Pretty doesn’t come first, he’s more looking for companionship. Ada Cambridge addresses directly to her readers:

And, my dear girls—to whom this modest tale is more particularly addressed—I am credibly informed that quite a large number of men are inclined to matrimony or otherwise by considerations of the same kind. You don’t think so, when you are at play together in the ball-room and on the tennis-ground, and you fancy it is your “day out,” so to speak; but they tell me in confidence that it is the fact. They adore your pretty face and your pretty frocks; they are immensely exhilarated by your sprightly banter and sentimental overtures; they absolutely revel in the pastime of making love, and will go miles and miles for the chance of it; but when it comes to thinking of a home and family, the vital circumstances of life for its entire remaining term, why, they really are not the heedless idiots that they appear—at any rate, not all of them.

Something Jane Austen says in one sentence in Emma, “Men of sense, whatever you may choose to say, do not want silly wives.”

Of course, her views on marriage are in accordance with the mores of her time but she still advocates equality in the personal relationship. She sees marriage as a loving partnership and she clearly wants to teach her readers that beauty evaporates with time and that a good character with adequate skills lasts longer. They should work on useful skills instead of entertaining ones.

I wonder why she didn’t go further and explain to her female readers what they should look for in a husband. After all, women of sense do not want a silly husband either. Drunkards, gamblers, idlers, spendthrifts, cheaters and quick-tempered men should raise warning flags as well. Perhaps she didn’t go there because girls didn’t have the luxury to be picky and could only hope for the best.

A Humble Entreprise is a fluffy novella I’ve read in one sitting, which was exactly what I was looking for. I wanted to read a feel-good novella and it filled the bill. Cambridge writes in a light tone and has a good sense of humour, as you can see in her description of the Churchills going out to downtown Melbourne:

Half an hour later her husband and stepdaughter, two highly-finished, perfectly-tailored figures, sober and stately, severely unpretentious, yet breathing wealth and consequence at every point, set forth together through spacious gardens to the road and the tram—which appeared to the minute, as it always does for men of the Churchill stamp, who are never too soon or too late for anything.

As always, because I’m curious about everyday life in other countries and previous centuries, I enjoyed reading about Melbourne in the 19thC.

Recommended to readers who enjoy 19thC literature and are not allergic to romance.

PS: About the cover. I really don’t understand where this cover comes from. It’s miles away from the atmosphere of the book, as far from it as Nana is from Emma. The second picture is more accurate, you can imagine Jenny running the tea shop while her mother bakes the scones and her sister holds the cash register.

Some Tame Gazelle by Barbara Pym – Meet Belinda, the clever spinster

April 19, 2020 26 comments

Some Tame Gazelle by Barbara Pym (1950) French title: Comme une Gazelle apprivoisée.

Some tame gazelle or some gentle dove or even a poodle dog – something to love, that was the point.

For April, our Book Club chose to read Some Tame Gazelle by Barbara Pym, thanks to Jacqui’s recommendation. It is my second Pym after Excellent Women. What a delightful read it was!

We are in a little village in England, probably in the 1930s, as it’s before WWII et rather far from WWI.

Harriet and Belinda Bede are two spinsters, both over 50. They live together near the vicarage. Harriet is the most outgoing of the two. She’s friendly, cheerful and loves to socialize. Her pleasure in life is to take care of the curates of the village. She loves to have people at diner and share good food. She gets along well with Count Bianco, who regularly proposes to her and gets refused.

Belinda, our narrator, is quiet and has been in love Archdeacon Henry Hoccleve for thirty years. They met at college, bonded over poetry and she was heartbroken when he married Agatha instead of her. She now lives with her unrequited love and gets a bit bullied by Henry’s wife.

Some Tame Gazelle tells the story of the village over the span of a few months during which several events occurred. A new curate arrived, much to Harriet’s delight. Agatha went away to heal her rheumatism, freeing Belinda from her looming presence. An old friend from college, Dr Parnell came to stay at the vicarage with his colleague Mr Mold. This setting reminded Belinda of their youth. And then Agatha came back, accompanied by Bishop Theodore Grope, in charge of a diocese in Africa. All these visits and arrivals disturbed the usual course of Harriet’s and Belinda’s lives.

Harriet is bubbly and seems to have decided to make as much as possible of her life, within the constraints of country life. She enjoys nice and fashionable clothes, she cares for good food and good company. Pym says about her that Harriet was still attractive in a fat Teutonic way.

Belinda tries not to delve into the past and succumb to melancholy but living so close to Henry is like constantly pouring salt in a wound that never has time to heal to be painless at last.

Belinda is humble, probably because she doesn’t think of herself as loveable and worth of any attention after being rejected by Henry. Besides, Harriett always shines more in company and Agatha picks at her, chopping at her self-esteem.

Henry is a disagreeable pompous man but I couldn’t help feeling sorry for him. He’s not fit for the life of a clergyman and I wondered how he came to this career, suspecting that Agatha roped him into it, as she is the daughter of a bishop. Henry seems only interested in poetry, a love he shares with Belinda. His sermons are full of literary references that fly over his parishioners’ heads:

The congregation suddenly relaxed. It was just going to be one of the Archdeacon’s usual sermons after all. There had been no need for those uncomfortable fears. They settled down again, now completely reassured, and prepared themselves for a long string of quotations, joined together by a few explanations from the Archdeacon. He began at the seventeenth century. Belinda reflected that if he had gone back any further, the sermon would have assumed Elizabethan proportions.

He neglects his duties as a clergyman and it’s hard to say whether he’s lazy or simply can’t be bothered with them because he doesn’t have the calling that should go with his position. He lacks the necessary people skills, the empathy and the ability to find the right comforting words at the right time. He sounds selfish and irritable but I thought it might come a deep unhappiness and dissatisfaction with his life. He sounds like he wishes he has married Belinda.

Under Pym’s writing, Belinda is a delightful middle-aged lady who casts a lucid and funny look at her life and her fellow villagers. She sees a lot and is quite astute in her perception of people and the meaning behind their actions. She’s benevolent, sees the good in people and tolerates their little flaws and quirks as everyone has theirs. She’s not blind about Henry’s shortcomings but loves him anyway.

Men in Some Tame Gazelle aren’t great people. They see women and wives as convenient co-workers and caretakers for old age. A most distinctive skill for a woman is her ability to knit a good pair of socks, well-shaped and of the right size. Dear, no wonder Harriet stays single. Dr Parnell sums it up in a blunt statement: After all, the emotions of the heart are very transitory, or so I believe; I should think it makes one much happier to be well-fed than well-loved.’ A way to a man’s heart is his stomach and his well-socked feet.

Still, I couldn’t help feeling sorry for Belinda and Henry. They seemed well-suited for each other and Belinda’s life is a waste of her talents. She could have been so much more but her crushed hopes put her in a shell she never went out of. And Henry is probably living the wrong life, with a career that was not his calling.

A Tame Gazelle is a great study of characters, being in Belinda’s head was charming. Pym also shows a society full of social constraints, of etiquette and habits. We see it in passing when Belinda muses “Also, it was the morning and it seemed a little odd to be thinking about poetry before luncheon.” How can there be a rule about when to think about poetry?

As a French, I also had a lot of fun with the food. It is of much importance to Harriet’s well-being and Pym shares about the various menus. I wondered what sardine eggs, cauliflower cheese, a tin of tongue, potato cakes, Belgian buns, trifles and rissoles could be. And I found this discussion most puzzling:

What meat did you order?’ ‘Mutton,’ said Belinda absently. ‘But we haven’t any red-currant jelly,’ said Harriet. ‘One of us will have to go out tomorrow morning and get some. Mutton’s so uninteresting without it.’

What has mutton to do with red-currant jelly?

QDP Days #2 : At night, in extremis by Odile Bouhier – Discover Lyon in 1921 and the first CSI lab in the world

April 4, 2020 11 comments

At night, in extremis by Odile Bouhier (2013) Original French title : La nuit, in extremis. Not available in English.

This is Day 2 of Marina’s and my Quais du Polar.

Today is about At night, in extremis by Odile Bouhier. It is the third instalment of a series set in Lyon, with professor Hugo Salacan and commissaire Kolvair as main characters.

We’re in 1921 and Anthelme Frachant gets out of prison. Commissaire Kolvair knew him from their war years and knows that he killed Bertail, another soldier and a friend of Kolvair’s. Kolvair suspects that he will kill again and decides to follow him. He takes a room in the same boarding house as Anthelme. During his first night there, Kolvair leaves his room in the middle of the night, overwhelmed by withdrawal symptoms and goes out in search of his next cocaine dose. Kolvair lost a leg in the Great War and suffers from phantom pain. He also has PTSD. Cocaine has become a coping mechanism and that night, it saves his life, in extremis. Indeed, while he was away, Anthelme slaughtered everyone in the boarding house.

Anthelme turns himself to the police and Kolvair finds him at the prison’s asylum. The question is Will Anthelme be judged for his crimes or will it be considered that he lacks criminal responsibility, due to mental illness? The alienist Bianca Serragio thinks that he is schizophrenic, an illness that doctors still investigate and try to define. Will she be able to convince Public Prosecutor Rocher that Anthelme cannot be hold accountable for his actions and that he must be placed in an asylum instead?

At night, in extremis is more a novel about Lyon, the 1920s than a true crime fiction novel. With the murderer known from the beginning and without any actual police investigation, the plot centers around the city, the times and the personal lives of the characters.

Lyon is where the cinema was born. It is also a scientific cluster for forensic science. Lyon had the first CSI lab in the world. Indeed, Edmond Locard (1877-1966) studied with Alexandre Lacassagne, a pioneer in forensic medicine. (See Lacassagne in action in my billet about The Rhône Murders by Coline Gatel) Both are from Lyon. In 1910, Locard set up the first CSI lab in the attic of the Palais de Justice in Lyon. He researched graphology, fingerprinting methods, ballistics and toxicology. He coined the Locard’s exchange principle, still used in today’s forensic science. His statement is that “Every contact leaves a trace”. His Traité de police scientifique is a seven-volume methodology of forensic science still in use in today’s CSI departments.

Kolvair believes in CSI and works with forensic scientists. Odile Bouhier evokes the famous lab in the attic. Her alienist, Bianca Serragio works at the Bron asylum, now known as Le Vinatier hospital. It was founded in 1877 and they still have some of the 19thC buildings and a big park. It’s also a reknown psychiatric hospital in France. Bianca Serragio is doing research in psychiatry, looking for ways to improve diagnosis and cures. The Rorschach test dates back to 1921 and Bianca believes it will help. Odile Bouhier depicts times of great scientific breakthroughs in criminology and psychiatrics.

This historical setting is interesting and piqued my curiosity. Since the crime plot was easily solved, the reader’s attention is focused on the characters’ personal lives.

Kolvair battles against demons inherited from the Great War and his liaison with Bianca is his safe place. Bianca has to fight for a field that needs recognition and being female doesn’t help. Forensic scientist Badou is orchestrating a hasty marriage of convenience because someone blackmails him, and threatens to reveals his homosexuality. His bride knows his sexual preferences and goes into this marriage with her eyes open. Professor Salacan’s children need extra-care, one has trisomy 21 and another is diabetic. This is how I learnt that in 1921, in Toronto, J.J.R. McLeod was conducting research and experiment on insulin.

Bouhier’s novel shows a city with a strong scientific community, but the novel felt unfinished, pieces are not stitched together well-enough. I had trouble remembering all the characters. There are too many of them for a 280 pages book. IMO, the writer should have either stuck with Kolvair and his PTSD or written a longer book, to give herself time to develop everyone’s personal lives and personalities.

It was a nice read for the local setting, the picture of Lyon in 1921. It spurred me to browse through several Wikipedia articles about Locard, Le Vinatier and other scientific facts and I always love to learn new things.

Many thanks to M. who gave me this book before moving back to America.

Incident at Twenty-Mile by Trevanian – excellent

February 1, 2020 18 comments

Incident at Twenty-Mile by Trevanian (1998) French title: Incident à Twenty-Mile. Translated by Jacques Mailhos.

To be honest, I haven’t seen a lot of westerns. I know of the genre, I’ve seen passages of films, I know the key actors and what they look like but I haven’t actually watched a lot of those films. My mind doesn’t keep an extensive bank of western images for future reference. I like to think that I approach westerns in books with an almost clean mind.

My first western book was Riders of the Purple Sage by Zane Grey and the next one was The Sisters Brothers by Patrick DeWitt. Incident at Twenty-Mile is my third visit to the genre, a western written by Trevanian in 1998. To be more precise, it is a novel that mixes two genres, western and crime fiction.

The novel opens at the State Prison at Fort Laramie, Wyoming, in 1898. Lieder is a very dangerous prisoner held in the security quarters of the prison. He reads a lot, can manipulate his wards and has already escaped from two other prisons. His new ward is a rookie and his colleagues have warned him against Lieder’s sneaky ways and violence.

Meanwhile, a young man named Matthew arrives at the small of town of Twenty-Mile, a town settled along a railway line between the town of Destiny and a silver mine up in the mountain. The few inhabitants of Twenty-Mile survive because they provide necessities and entertainment to the miners every weekend. This explains why the city has a General Store owned by Mr Kane and his daughter, an inn operated by the Bjorkvist family, a barber shop run by Pr Murphy, a brothel managed by Mr Delany and his three “girls” and a stable handled by Coots and BJ Stone.

When Matthew arrives at Twenty-Mile, he’s penniless and looking for a job. He makes a tour of the business owners but none of them wants to hire him. He doesn’t give up and convinces each of them to employ him for a few hours a day, selling himself at a low price in order to create his own job.

Through hard work, calm and politeness, Matthew worms himself in Twenty-Mile, ends up settling in the vacated sheriff’s house. He needs to belong to a community and decided to settle in this isolated town full of misfits.

From the beginning, we see that Matthew is a troubled man. He tries too hard. He’s afraid of rejection. He has a childish obsession for the children books The Ringo Kid, an anachronic reference to a Marvel Comics series from the 1950s. When he doesn’t know what to do, Matthew wonders what The Ringo Kid would do and acts accordingly. His father was a drunkard and he’s still trying to heal the scars he got from domestic violence and poverty. He wants to be loved and part of something.

Of course, Lieder escapes from Laramie’s prison with other inmates and decides that the money from the silver mine near Twenty-Mile would be a good loot. The town of Twenty-Mile gets prepared to defend itself against this dangerous criminal.

Incident at Twenty-Mile is absolutely brilliant. Trevanian is a gifted writer, with a flowing prose, a knack for describing landscapes and for setting a specific atmosphere. The people in Twenty-Mile are well-drawn, each of them has something in their past or their present that keeps them hostage of the place. The town is a character in itself, an example of these remote Western towns that grew over night, along with the discovery of gold or silver veins. Wyoming and Montana have ghost towns and Twenty-Mile is already declining. We know that if the mine closes, this town up the mountain will die with it.

This is my second Trevanian in a year, the other one was The Summer of Katyaa psychological thriller set in the Basque country in France before WWI. Despite the very different settings, the two books have similarities.

Here, Trevanian plays with codes of westerns, it’s obvious in the various descriptions of the street in Twenty-Mile and the way Matthew repeatedly squints at the horizon. You can almost hear a soundtrack by Ennio Morricone.

In both books, characters experienced a trauma in their adolescence and it affects their abilities to live as capable and sane adults. Lieder is a psychopath and his damaging childhood released a lot of violence in him, a total lack of empathy and a messianic vision of his role in this world. It’s a bit chilling and uncanny to hear him promote WASP supremacy and rant against immigrants.

Matthew isn’t a functioning adult either, only the outcome is different. He was the recipient of raw violence and does everything he can to tame these tendencies, thanks to the Ringo Kid ideal. I can’t say more to avoid spoilers but Trevanian’s exploration of Matthew’s mind and past goes farther.

In The Summer of Katya, Trevanian showed a pointed interest in psychoanalysis. I think that it is present in Incident at Twenty-Mile too and this particular undertone gives a special flavor to his novel.

Incident at Twenty-Mile is an excellent thriller, with an extraordinary sense of place, well-drawn characters and good suspense. Highly recommended.

Another great find by Gallmeister and masterfully translated by Jacques Mailhos.

Funny Girl by Nick Hornby

December 28, 2019 9 comments

Funny Girl by Nick Hornby (2014) French title: Funny Girl. Translated by Christine Barbaste

Funny Girl by Nick Hornby opens on a pageant contest in Blackpool, UK. We are in the early 60s and Barbara Parker becomes Miss Blackpool. She ended up in this competition after her aunt suggested it. As soon as Barbara realizes that being Miss Blackpool means a whole year of service as a ribbon cutter to the city of Blackpool, she steps out and refuses her title.

Barbara is a fan of I Love Lucy and she wants to be like Lucille Ball, to make people laugh. She leaves Blackpool to go to London and becomes Sophie Straw. Her agent helps her find auditions even if he thinks she has better chances as a model than as an actress.

One of her auditions takes her to the BBC where the director Dennis Maxwell-Bishop is looking for an actress for a new TV show. The screenwriters are the duo Tony Holmes and Bill Gardiner who were successful with a previous radio show. Clive Richardson will play the male character of this new venture, a sitcom about a couple and their domestic life. Tony and Bill struggle with the scenario, they cannot make the characters sound genuine.

Sophie arrives for the audition and boldly challenges them. She has charisma, a mix of innocence and ambition. She’s a natural comic. Her personality and suggestions are inspiring to Bill and Tony. The four of them make a great team, their working together boosts their creativity.

The adventure of the TV series Barbara (and Jim) can start.

Funny Girl is centered around Sophie, Dennis, Tony and Bill’s lives. Clive is present too, but not as much as the others.

Tony and Bill are both homosexual. They met after they were caught by the police as it was still a criminal offense at the time.  Tony chooses security, marries June and lives a middle-class life. Bill remains true to himself and is involved with the London gay scene.

Dennis is married to Edith, who works for a publisher. She’s at ease with the literary world and her friends have no respect for Dennis’s job. It creates frictions in their couple.

Barbara/Sophie loves her job and her life. Hornby created a lively character, class-conscious and hardworking. Success doesn’t change her. Sure, she can afford a different lifestyle but she never becomes snotty. She’s a very loveable character who learns to navigate in her new environment.

We follow the seasons of Barbara (and Jim) and they give rhythm to the characters’ lives. Nick Hornby ambitions to bring back London in the 60s, the change in the British society and how it is reflected in TV shows. It’s a quick and entertaining read about a turning point in the country: more personal freedom, first commercial TV, end of criminalization of homosexuality, music…It’s also the clash between “classic culture” and “pop culture”, with intellectual looking down on TV producers and even more on comedy shows. Sophie, Dennis, Tony and Bill belong to the pioneers of television series, a genre that is currently thriving.

I imagine that if you’re British and old enough to have known that time, it must be a wonderful trip down memory lane. For me, it was a fun read but nothing more.

Figurec by Fabrice Caro – Appearances are deceitful

December 15, 2019 4 comments

Figurec by Fabrice Caro (2006) Not available in English

Figurec is Fabrice Caro’s debut novel. His first love is BD (comics) with an offbeat sense of humor. He has a knack for picturing our world, our quirks and inconsistencies. You’ve heard about him twice this year on this blog, first when I blogged about his BD Zaï, Zaï, Zaï, Zaï and then when I wrote about his latest novel, Le discoursFigurec is a first bridge between his BD and novels, Le discours is more accomplished.

Now the book and how can you sum up a book like Figurec?

The first chapter is an “Act 1, Scene 1” of a theatre play. The second chapter is a man attending a funeral and who thinks:

L’enterrement de Pierre Giroud m’a énormément déçu, c’était une cérémonie sans réelle émotion. D’accord, il y avait du monde, bien plus qu’à celui d’Antoine Mendez, mais tout cela manquait de rythme, de conviction. Même la fille de Pierre Giroud –du moins celle que je supposais être la fille de Pierre Giroud—n’était pas très en verve. Elle hésitait en permanence entre une pudique retenue et des sanglots bruyants de qualité très médiocre. Le résultat était assez caricatural, sans nuances. Pierre Giroud’s funeral was a stark disappointment. It was a ceremony devoid of real emotion. OK, there were a lot of people, a lot more than at Antoine Mendez’s funeral but this one lacked rhythm and conviction. Even Pierre Giroud’s daughter –or at least the one I assumed was Pierre Giroud’s daughter –wasn’t in brilliant form. She was always between modest self-restraint and loud sobs of poor quality. The result was caricatural, without proper nuance.

He watches the funeral as if he were watching and commenting a theatre play or a soccer game.

After this funeral, the narrator goes to diner at his friends Julien and Claire’s place. We learn that he dines with them five times a week but they don’t seem to mind. He likes them but still thinks he’s mooching off them and at the same time bringing entertainment in their otherwise dull marriage. For fun, Julien collects original 45s that were #1 at the Top 50 French chart in the 1980s and his enthusiasm about his latest find is puzzling, but who are we to judge someone else’s passions?

Our narrator also goes to diner at his parents’, a diner that his successful younger brother and lovely girlfriend attend too. His parents worry about him because he won’t settle down and doesn’t seem to grow up. He feels like a failure compared to his brother.

Our narrator is a would-be playwright and the “Act Something / Scene Something” inserted in the novel remind us his attempts at writing his play and his true goal in life.

After the first few pages, the reader feels that they’re spending time with a weird narrator, a sort of loser who attends funeral for fun, takes advantage of his friends, makes his parents believe he’s a writer-to-be when he just bums around. At this stage we think we’re just with a pathetic and nutty character.

Things get strange when a man approaches him at a funeral and asks him whether he belongs to Figurec too. That’s where the off-the-wall story takes you to a parallel world of false pretense where you don’t know who is who and what to think. All this is wrapped up in Caro’s unique brand of humor and talent for alternate universes.

A fun and disconcerting book. Next week I’ll see the theatre version of Zaï, Zaï, Zaï, Zaï and I can’t wait to see how the director translated this BD to the stage.

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